True Orphans pt 3 (1980-1989) - Final Season Specials

More discussions of Waits's unreleased recordings brings us to the 1980s, featuring several demos, a bunch of covers, and significant collaborations with other musicians, both big and small. Highlights this week include his contribution to a poetry documentary, a live Ewan MacColl cover, and his evening of collaborations with The Replacements.

Music extracts used for illustrative/review purposes include:
Purple Avenue / Empty Pockets, live recording, Expo Theatre, Montreal Canada (3 July 1981)

Purple Avenue, Punishing Kiss, Ute Lemper (2000)

Once Upon A Town / Empty Pockets, One From The Heart OST, Tom Waits (1982)

Smuggler's Waltz / Bronx Lullaby, from Poetry In Motion, dir. Ron Mann (1982)

Poetry In Motion (expanded version), documentary, dir. Ron Mann (1982?)

Frank's Wild Demos, bootleg, Tom Waits (1986?/2006)

The Black Rider Demos, bootleg, Tom Waits (1990-1992/2011)

Yesterday is Here (demo), unreleased recording, Frank's Wild Demos (1986?)

Carnivalins, unreleased recording, Frank's Wild Demos (1986?)

Vegas Theme, unreleased recording, Frank's Wild Demos (1986?)

Downtown Train (alt take), NME's Big Four 7" EP, Tom Waits (1986)

Downtown Train, Rain Dogs, Tom Waits (1985)

Harlem Shuffle, Dirty Work, The Rolling Stones (1986)

Harlem Shuffle, alt. long version, unreleased, from Dirty Work sessions (1985)

I Forgot More Than You'll Ever Knew (About Her), live recording, Beverly Theatre, Los Angeles CA, Tom Waits with Elvis Costello and Lou Reed, w. Cecil Null (4 October 1986)

I Forgot More Than You'll Ever Know, Memories, The Davis Sisters (1953)

I Forgot More Than You'll Ever Knew (About Her), Self Portrait, Bob Dylan (1970)

Papa's Got A Brand New Bag, live recording, Massey Hall, Toronto Canada, w. James brown (7 October 1987)

Papa's Got A Brand New Bag Part 1, single, James Brown and the Famous Flames (1965)

Mack The Knife, live recording, Freie Volksbuhne, Berlin Germany, w. Bertolt Brecht / Kurt Weill (8 December 1987)

Die Moritat von Mackie Messer (Mack The Knife), from the film Die 3 Groschenoper (The Threepenny Opera), sung by Bertolt Brecht, w. Brecht & Weill (1928/9)

Mack The Knife, That's All, Bobby Darin (1959)

Big Rock Candy Mountain, from the film Ironweed, dir. Hector Babenco (1987)

Once More Before I Go, from the film Candy Mountain, dir. Robert Frank and Rudy Wurlitzer (1988)

Date To Church, single b-side, The Replacements / Tom Waits (1989)

Date To Church - Matt Wallace Remix, Dead Man's Pop, The Replacements / Tom Waits (1989/2019)

Lowdown Monkey Blues, Dead Man's Pop, The Replacements / Tom Waits (1989/2019)

If Only You Were Lonely, Dead Man's Pop, The Replacements / Tom Waits (1989/2019)

If Only You Were Lonely, single b-side, The Replacements (1981)

I Can Help, studio outtake / Dead Man's Pop, The Replacements / Tom Waits, w. Billy Swan (1989/2019)

I Can Help, I Can Help, Billy Swan (1974)

3oclockreep, digital release, The Replacements (2008)

We Know The Night - Rehearsal Version, Dead Man's Pop, The Replacements / Tom Waits (1989/2019)

We Know The Night - Full Band Version, Dead Man's Pop, The Replacements / Tom Waits (1989/2019)

Take It As It Comes, live recording, Wiltern Theatre, Los Angeles CA, w. The Doors (31 December 1988)

Take It As It Comes, The Doors, The Doors (1967)

Pennies From Heaven, live recording, Wiltern Theatre, Los Angeles CA, w. Arthur Johnston and Johnny Burke (31 December 1988)

Pennies From Heaven, single, Bing Crosby and the Georgie Stoll Orchestra (1936)

Dirty Old Town, live recording, Wiltern Theatre, Los Angeles CA, w. Ewan MacColl (31 December 1988)

Dirty Old Town, Black And White, Ewan McColl / Peggy Seeger (1983)

Dirty Old Town, I Know My Love, The Dubliners (1968)

Dirty Old Town, Rum Sodomy and The Lash, The Pogues (1985)

Hound Dog, live recording, Wiltern Theatre, Los Angeles CA, w. Jerry Leiber and Mike Stoller (31 December 1988)

Hound Dog, single, Big Mama Thornton (1953)

Hound Dog, single, Elvis Presley (1956)

Roy Orbison and Friends - A Black & White Night, concert film, Cinemax (1988)

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True Orphans pt 2 (1977-1979) - Final Season Specials

Our second episode dealing with the non-album work of Tom Waits (and our second from the 1970s) brings a variety of covers, live performances, outtakes and re-uses from studio sessions... including the Hokey Pokey. Check the show notes for versions of everything we're discussing, and hopefully you'll find some new favourites.

Music extracts used for illustrative/review purposes include:
Martin Goes And Does Where It’s At / Bombed Anyway, I'm Everyone I've Ever Loved, Martin Mull feat. Tom Waits (1977)

Tom Waits appearance on Fernwood Tonight with Martin Mull and Fred Willard (1977)

Just Another Dime Store Novel, unreleased recording - possibly from the Foreign Affairs sessions / Filmways Heider Recording, Tom Waits (1977)

Used Erotica, from the Big Time Concert Film, dir. Chris Blum (1988)

Annie’s Back In Town, Paradise Alley Soundtrack, Tom Waits (1978)

(Meet Me In) Paradise Alley, Paradise Alley Soundtrack, Tom Waits (1978)

With a Suitcase (Street Band Version), unreleased recording - from the Paradise Alley sessions, Tom Waits (1978)

With a Suitcase (Rhythm Section Version), unreleased recording - from the Paradise Alley sessions, Tom Waits (1978)

Tijuana, Jack Tempchin, Jack Tempchin, w. Tom Waits (1978)

Summertime, live recording, The Royal Horse, Osaka, Japan, w. George Gershwin (March 1978)

Summertime / Putnam County, live recording, Park Motor Inn, Madison, Wisconsin (31 October 1977)

Ain't Gonna Rain No Mo', live recording, Zilker Park, Austin TX (5 December 1978) OR Warner Theatre, Washington DC (21 November 1978)

Ain't Gonna Rain No Mo' / I Wish I Was In New Orleans, live recording, Austin City Limits, Texas (December 1978)

Waitin' For Waits, Hollywood Madness, Richie Cole / Eddie Jefferson feat. Tom Waits (1979)

Gee Baby Ain’t I Good To You, live recording, Uptown Theatre, Kansas City, w. Andy Razaf and Don Redman (8 October 1979) OR Beacon Theatre, New York w. Andy Razaf and Don Redman (5 November 1979)

Gee Baby Ain’t I Good To You, Ella and Louis Again, Ella Fitzgerald / Louis Armstrong (1957)

Gee Baby Ain't I Good To You, The Complete Capitol Recordings, Nat King Cole Trio (1993/1943)

Gee Baby Ain't I Good To You, Cameron Diaz / Susan Boyd, from The Mask, dir. Chuck Russell (1994)

Whose Sports Coat Is That, live recording, Uptown Theatre, Kansas City (8 October 1979) OR Beacon Theatre, New York (5 November 1979)

Trash day, live recording, Uptown Theatre, Kansas City (8 October 1979) OR Beacon Theatre, New York (5 November 1979)

Since I Fell For You, live recording, Capitol Theatre, Sydney Australia, w. Buddy Johnson (2 May 1979)

Since I Fell For You, Presenting Buddy Johnson, Buddy Johnson (1939)

Since I Fell For You, Nina Simone Sings The Blues, Nina Simone (1967)

Since I Fell For You, Bonnie Raitt, Bonnie Raitt (1971)

Do The Hokey Pokey / Pasties & A G-String, live recording, Capitol Theatre, Sydney Australia (2 May 1979)

I Feel Good, live recording, Paramount Theatre, Seattle WA, w. James Brown (7 October 1979)

I Got You (I Feel Good), I Got You (I Feel Good), James brown and the Famous Flames (1965/1966)

In Shades, Heartattack & Vine, Tom Waits (1980)

When The Saints Go Marching In, live recording (197?/198?)

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Let Me Get Up On It - Bone Machine [202]

Ooh it's another little sound fragment track from Waits this week, as Scary, Martin and Sam explore the possibilities of a James Brown pun in this penultimate track from Bone Machine. With debate over seagulls vs. squeaking gears, various branding opportunities for the Godfather of Soul, and... and... and it's only 53 seconds long, so we just talk about some other stuff.

Music extracts used for illustrative/review purposes include:
Let Me Get Up On It, Bone Machine, Tom Waits (1992)

(Get Up I Feel Like Being A) Sex Machine, Sex Machine, James Brown (1970)

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