Three episodes of talking to Sam and Martin, and Shani is starting to check her watch, as Waits makes an exteeeeended exploration of generational trauma. Runtime does preoccupy our conversation, as well as density of imagery, hope for the future, and the logistics of bodies of water. 

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Music extracts used for illustrative/review purposes include:
Sins of My Father, Real Gone (remastered), Tom Waits (2004/2017)

Sins of My Father, Real Gone (original), Tom Waits (2004)

Can't Blame The Youth, single, Peter Tosh (1972)

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