The question this week is whether Waits is walking away from a long-term lover or a one-night-stand, as Vera, Sam and Martin take one last longing backwards look at Heartattack And Vine before walking away and catching a train. There's some discussion across the gender perspective here as well, with the boys buying into some of Waits's romance while Vera reminds us that it takes two to tango… or at least it should.

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Music extracts used for illustrative/review purposes include:
Ruby’s Arms, Heartattack And Vine, Tom Waits (1980)

Softly, As I Leave You, Single, Matt Monro (1962)

… and in memory of Robert Bruce Banner…

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