For a second week with Eric Molinsky, Martin and Sam take a look at the image of police as both a mortal figure as well as an existential threat, as well as Waits’s role (through his music) as an ambassador for the strangeness of his worlds.

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Music extracts used for illustrative/review purposes include:
Big Black Mariah, Rain Dogs, Tom Waits (1985)

Sound of da Police, Return of the Boom Bap, KRS-One (1993)

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